Friday, February 15, 2013

Blog #2 Reader Response Edgar Allan Poe ( Rob Mondello)

     

      In the short story "The Pit and the Pendulum" by Edgar Allan Poe the reader is taken on a journey through the grim psychological conditions of a man being condemned and awaiting punishment and inevitable death. The narration is in first person perspective by the prisoner. Several themes are explored such as despair, delirium, grief, fear and the process of death. Throughout the tale the reader is given first person perspective, and accompanies the character throughout the ordeal. The reader is given explicit details of the ongoing mental state of the narrator,  as he is stripped away from all that is familiar to him in his experience of life until now. Poe makes excellent use of gothic imagery in his descriptions of the harrowing journey. What little hope is granted to the reader is more of a concise delusion the narrator forces on himself to be able to cope with his grim reality.
     The reader is forced to share in this twisting of perception to be able to find something acceptable within the experiences which is apparent in phrases like "the thought of what sweet rest there must be in the grave.". We are left with no promise of relief, and instead naturally cling to the faith that the nature of the soul would not tolerate a person to forever experience unrelenting punishment. Death seems a suitable escape to the agony, and thus becomes the key to salvation for the prisoner.
       As we witness the slow unraveling of his physical existence, we share in the same gaps of awareness that the narrator undergoes.The blackouts and deliriums are transformed into an act of mercy,  which allow the prisoner and reader to momentarily escape that which we are forced to observe. Paradoxically the nothingness brought something of infinite significance. From the description " Even in the grave all was not lost. Else there is no immortality for man. Arousing from the most profound of slumbers, we break the gossamer web of some dream", we see that along with the lapse in physical sensation we are given hints of an afterlife, although the prisoner struggles with description and his attempts are at best vague. He is under the impression not everyone is capable of seeing this by going to say, " He who has never swooned is not he who finds strange palaces and wildly familiar faces in coals that glow". This gives us insight into the prisoner as being of deep imagination, and aware of the possibility that his own souls ascension may simply be a delusional subjective interpretation of his body's descent into death.Yet within those foggy recollections the prisoner experiences an underlying fixed state that he is convinced is proof of the spirits immortality. This serves to reinforce the prisoners faith, however feeble it may be, that experience in life serves a particular function. The prisoner, even in his hazy state is able to remember and identify traces of a past life in which he states "there have been brief, very brief periods when I have conjured up remembrances which the lucid reason of a later epoch assures me could have had reference only to that condition of seeming unconsciousness."
      When it seems the prisoner has finally comes to grip with his near death, and is able to mentally prepare himself, he again falls into the dark emptiness of nothing as his senses are further stripped away. He is eventually able to only to reconstitute himself to a small degree. As his disorientation slowly subsides when we realize the prisoner has not yet met his demise, something he uncertain about himself during this process of mental disintegration. He is left with the sense sight, and must utilize it to assimilate his current predicament. He must find some way to process the situation given his limited means. His memory slowly returns of events, and he is further able to deduce he has been locked in a dungeon. Further demonstrating his excellent adaptability to his circumstances he decides to measure the location with the only resource available, a string from his robe. Weakened from prior torture that was intentionally forgotten, when he collapses he discovers a massive pit within the pitch black dungeon. Many others have prior met their demise falling into this pit. With flashes of light when given bread and water he is able to determine the shape of the cell he is and is even able to see the demonic artwork on the wall. He is taken  by the inquisitors into a torture dungeon  where he see's above him a giant pendulum with an axe on the end, that slowly descends as it lowers on him. Time nearly freezes as the pendulum swings back and forth right above him. His ropes are eventually cut by the pendulum and he is able to narrowly escape. The pendulum is raises back into the ceiling and he realizes that his every move is being watched. The reader is thrust into the paranoia the prisoner is left with. The walls literally begin to close on him, which further reinforces the symbolism of paranoia. Red hot iron devices surround all sides of him as they force him ever closer into the pit. He feels the fire from the pit as he closes in on it. At the last minute as he falls towards the abyss another hand had caught his, it was that of general Lasalle. The was the french army was invading the churchs dungeons. The reader is left with a sense that the miraculous has happened.
     The story was beautifully written, and conveys deep emotions. The imagery is well used throughout to explore the archetypes of life, death, freedom, and imprisonment. The prisoner has a keen ability to cognate his surroundings even with all the disadvantages he is against. This spirit of curiosity and rebellion, is probably what made him a targeted person during the inquisition.We see a logically applied analysis and subjective description of the multitude of subtle levels of thought we usually do not acknowledge, that are at the foundation of our higher sensory faculties. This gives an air of scientific analysis to the person, further making him an opponent to the religious institute that was in the business of halting all scientific knowledge. He entertains ideas about the afterlife that are contradictory to what the catholic church held, which is a possibility for his imprisonment. The prisoner/narrator resembles an objective spectator, someone after the truth trying to understand his current phase in life, and always uses the abilities at hand to process and question what is going on, though he is constantly being further limited in his choices by outside forces. I think this very symbolic of the we all look at the world, and the limitations in which we see it. The importance theme this story conveys to me is that man's quest for truth and understanding can pit him against overpowering forces of uncompromising domination, and even during his darkest hour when all is lost, as a result of never straying from the path towards wisdom, there is still always a chance for further understanding. I'd say the morale of this story is that miracles happen, and sometimes everything turns out better than we had hoped for. Even during the last second, what seemed like dreadful certainties can turn around and change for the better.

3 comments:

  1. PART 1 OF COMMENTARY:

    Rob,

    This is a good, concise summary: “In the short story "The Pit and the Pendulum" by Edgar Allan Poe the reader is taken on a journey through the grim psychological conditions of a man being condemned and awaiting punishment and inevitable death.”

    “ The narration is in first person perspective by the prisoner” – this is called a “participant narrator”.

    “Several themes are explored such as despair, delirium, grief, fear and the process of death.” Theme isn’t something that can be summed up with one word. You are more than welcome to discuss theme, but you may want to take a look at the lecture on theme in BB.

    “ Throughout the tale the reader is given first person perspective, and accompanies the character throughout the ordeal.” Well put here. Does this make the reader complicit in the character/narrator’s actions? Does this fact make us/you more or less empathetic /sympathetic to the protagonist’s conflicts?

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  2. PART 2 OF COMMENTARY:

    “”Poe makes excellent use of gothic imagery in his descriptions of the harrowing journey.” You’ll want to give textual examples in the paper and also explain the significance of the imagery in reader response terms – does it make up textual clues/signals? Fill in gaps, etc.?

    “What little hope is granted to the reader is more of a concise delusion the narrator forces on himself to be able to cope with his grim reality.” Not following you here – hope for/about what?


    “ The reader is forced to share in this twisting of perception to be able to find something acceptable within the experiences which is apparent in phrases like "the thought of what sweet rest there must be in the grave." – Here you answer my earlier question about reader complicity – good. I think this is something worth highlighting. When you say acceptable, do you mean morally or ethically so? Something else? As is, the quote doesn’t really explain the assertion you make here.


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  3. PART 3 OF COMMENTARY:

    This is very well said: “We are left with no promise of relief, and instead naturally cling to the faith that the nature of the soul would not tolerate a person to forever experience unrelenting punishment.” Great observation, but do provide a quote for context.


    “Death seems a suitable escape to the agony, and thus becomes the key to salvation for the prisoner.
    As we witness the slow unraveling of his physical existence, we share in the same gaps of awareness that the narrator undergoes.” Very good here – glad to see you’re zeroing in on gaps. The blackouts and deliriums are transformed into an act of mercy, which allow the prisoner and reader to momentarily escape that which we are forced to observe. Okay – but what are the gaps exactly? What info are we and/or the narrator missing?

    “Paradoxically the nothingness brought something of infinite significance. “ – Yes.

    "Here you do a good job highlighting a textual clue: “This gives us insight into the prisoner as being of deep imagination, and aware of the possibility that his own souls ascension may simply be a delusional subjective interpretation of his body's descent into death.” That said, what direction is the reader supposed to go/what is he/she supposed to feel or identify with by knowing the prisoner has great imagination?

    Remember to always follow up quotes with analysis/explanation – they shouldn’t end paragraphs.


    “When it seems the prisoner has finally comes to grip with his near death, and is able to mentally prepare himself, he again falls into the dark emptiness of nothing as his senses are further stripped away.” Any irony here?

    “He is eventually able to only to reconstitute himself to a small degree. As his disorientation slowly subsides when we realize the prisoner has not yet met his demise, something he uncertain about himself during this process of mental disintegration.” Not following you here. Rephrase, perhaps?

    Did you expect the protagonist’s faculties to return to him? I note that, while your analysis is strong on a number of levels, you’re not often concretely dealing with gaps, textual clues and signals and/or expectations.

    When you say, “Many others have prior met their demise falling into this pit. With flashes of light when given bread and water he is able to determine the shape of the cell he is and is even able to see the demonic artwork on the wall”, did you expect he would, unlike previous prisoners, avoid this hole? Does the text suggest to the “ideal reader” that this prisoner won’t fall into the same trap? (i.e., are you surprised he doesn’t or does the text offer enough hints that his experience will be different?)

    “The walls literally begin to close on him, which further reinforces the symbolism of paranoia.” Symbols are typically concrete things that represent something abstract, not the opposite.

    When you say, “The reader is left with a sense that the miraculous has happened” do you mean that the text doesn’t confirm exactly what happens? Can you expand on this?

    “This spirit of curiosity and rebellion, is probably what made him a targeted person during the inquisition.” Again, does the text suggest this to the careful reader? Does something personal influence this viewpoint? Etc.

    This has a lot of potential and a good deal of thoughtful analysis – interested to see how it all comes together!

    A

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